Source: Cashmoneys
Price: £23.79
Where To Get It: Steam

Normally, I try to avoid making references to other games in reviews, not least because it can introduce expectations that shouldn’t be there (see the Moonlighter review from earlier today), but, in the case of Overload, Revival’s 6 Degrees of Freedom shooter… It’s Descent.

“M’lud, if I could draw your attention to Exhibit A…”

For anyone young enough to not know why this is a big deal, Descent’s big selling point was the aforementioned 6 Degrees of Freedom. Want to float upwards and downwards, strafe sideways (that’s 2) , but also rotate in all three axes and move forwards and backwards in a science-fiction setting of robots gone wrong, and your mission to rescue the victims of what would eventually turn out to be both an alien invasion and Evil Corporation Shenanigans? Descent, and its two sequels had you covered, refining the formula.

Overload, funnily enough, refines it further. Although this is less surprising when you consider that the two Revival founders, Matt Toschlog and Mike Kulas, three of the original trilogy’s musicians, Dan Wentz, Allister Brimble, and Jerry Berlongieri, and more have been involved heavily in the development. They’ve had time to think about this. So… What’s the result like?

Undeniably fun and tense, is the very short answer. Last time I looked at it, I mentioned that the refinements to the formula are, for the most part, more to do with level design and quality of life than, for example, major rejiggings. Multiple difficulty modes, with the nice touch that challenge leaderboards are separated by their difficulty. Looking at the map pauses, and, considering the general gameplay loop, this is a godsend, and, while the maps are indeed mazelike, I never found myself truly, hopelessly lost like I did in the original games. Although, equally to its credit, I’ve felt ambushed, claustrophobic, and tense, aided by the often casually oppressive sounding music, the almost-screams and growls of the Automatic Operators. Logs being short and sweet, upgrades, secrets… It’s an interesting mix of the more traditional and the modern, and it works.

Particle effects can, on the one hand, obscure what’s going on. On the *other* , it makes this Auto-Op about four or five times scarier, even after it’s dead.

Good example: This is a game that has monster closets, in the traditional sense of the phrase (Secret places that open on triggers, usually once you’ve done something, to reveal… SURPRISE ENEMIES, HAHAHAHAHA) , and… I don’t mind. You know you’ve done monster closets right when they feel natural… And, just as nice, they have an actual, narrative reason to be there. I won’t spoil it, but the overall idea is that a set of colonies around Saturn have gone dark, and, carried in your slower than light craft, you have to work out why robots have gone bad, why colonists have been reassigned, and why the hell the company’s founder, Gabriel Kantor, seems so certain he can burn his bridges and unleash death and destruction for a set of colonies that are nowhere near self-sufficience. It’s similar enough to the plot of the original Descent (hell, it even has references to the Evil Corporation of the original games, the Post Terran Mining Corporation), but the differences, and the explorations therein, short as they have to be due to constraints, pleases me.

In short, this is not only an excellent addition to the 6 Degrees of Freedom Shooter subgenre, it’s also an excellent Descent game, and well worth a look. Oh, and there’s a free level editor too.

The mood in these tunnels can be described with phrases like “Somewhat tense”, segueing quickly into “AHH DIE DIE DIE PLEASE DIE”

Yes, The Mad Welshman freely admits the possibility of rose-tinted goggles. He also admits the possibility that it’s just fun as hell to blow up robots in space.

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Antigraviator (Review)

Source: Review Copy
Price: £19.49
Where To Get It: Steam

As Future Racers go, Antigraviator is an interesting, but slightly flawed one. It’s trying something different, and I appreciate that, but that doesn’t really change that it doesn’t, entirely at least, work well.

I would like to apologise for being good enough at Future Racing games that this is the only mid-pack screenshot I have.

So, it’s a Future Racer, so there’s gravity hovercraft wot go fast, a lot of tracks in varying locales in tournaments of increasing difficulty, a boost start (Gotten by holding accelerate just as 2 vanishes and 1 is about to count), and… No context for any of this. Nope, this is a racing tournament, just a racing tournament, and that’s all good, with no in-game lore. Interesting move.

But, make no mistake, the tracks are very pretty. Even in the first tourney, you go from a “standard” city setting, to racing over the ocean, through a canyon system, and in orbit. It’s lush, and it’s fast, and it’s here we start to see this minimalist future racing game fight with itself, design wise.

It’s fast, and there’s a lot, I mean a lot, of blind jumps and turns, sometimes quite hard ones, sometimes in quick succession. But don’t worry, because only grievous collisions slow you down more than a tadge, and, unless you’ve gone for a low armour craft (more on that later), getting blown up by anything short of leaving the track (an instant explosion if you don’t land on the track, followed, in most cases, by respawn and loss of all speed you’ve built up) is quite tough. Okay, cool, these design decisions appear to have cancelled each other out for an alright, if odd baseline. But then we hit the Deathmatch mode of races, and they’re longer, and harder to lose, precisely because you have so much armour (and so do some of the other racers.) So, how do you blow people up?

Well, instead of weapon pickups, you have, at pre-determined points of the track, traps. Some are near-certain killers (like the reverse controls/magnet trap) , some are, basically, weapons (the missile), and the rest vary between fitting and slightly silly, deadly and slowing. Most require someone to be in front of you to trigger, give you a temporary immunity that usually gets you through the trap yourself, and have the good feature of telling you whether they caught somebody.

The first time playing, it goes straight to the mandatory tutorial. Not sure how I feel about that.

Unfortunately, they also require you and the other racer to be in a specific set of ranges to trigger, which conflicts, somewhat, with the other main mechanic, boost energy. See, going fast by collecting boost cylinders, and then boosting with the up arrow (2 cylinders per boost, and you can chain them pretty quickly) means that, funnily enough, you can end up first very quickly, so most of these traps… No longer mean much to you, especially if you stay far ahead enough that traps mean nothing. Even if, due to the fact the AI racers are fairly good, you’re not in first, you’re going quickly enough that, by the time the icon on the back of your ship lights up to show a trap has gone off, by the time it tells you a trap is ready, and by the time you look away from your real visual focal point of the track ahead of the ship (because you’re going very fast) … You miss your chance. The better a racer you are, the less you get to see or use a feature.

I’m not going to lie, I don’t have good answers for alternatives beyond the traditional, and I can also see why the traditional is being turned down here: It democratises things, to an extent, as the traps are track dependent, not based on loadout, or pre-genned track items, or a semi-random weapon pickup. The higher armour definitely helps ensure you can keep your speed (mostly) in track design that just wouldn’t work if, for example, wall and other ship collisions seriously hurt you, so the developers can use all those blind, sharp corners and jumps that normally, I would be crying hatred for, from the word go… Indeed, the final track of the second tournament, Michael’s Bay, earns my ire for being more hostile than the tracks bracketing it on either side, a solid and frustrating difficulty spike in a game otherwise able to mitigate that.

Finally, we get to the customisation options, and my greatest mystification. Scaling costs, I somewhat understand, but they’re applied inconsistently. Non-body parts, for example, don’t have nearly the steep cost rises that the two other body types (one tankier, one the “hard mode” craft that’s supremely fast, but has far inferior handling and shields), and… The colour schemes?

Accessibility note: The cost of the item should not be below the stat bar, and should be bigger than it is. The cost is 100,000.

No, really… The final colour scheme costs almost as much as the hard mode body part, and each colour scheme is more expensive than the last, because… I genuinely couldn’t tell you. I have no answer here, and it both confuses and annoys.

In the end, with the odder exceptions aside, Antigraviator is actually fun. It manages to be fun despite its design decisions fighting each other like design decisions were a cage match. Its online play has rankings, but remains fun, and the quick race mode means, unless you want to buy from the somewhat limited part set, you don’t have to engage with the tournament structure, just… To have a good time. Doesn’t change the fact it confuses me greatly, but it does make recommending it for what it is slightly easier. Worth a go to see something different being done in Future Racing, a genre that, amusingly enough, has been highly resistant to formula changes.

Spaaaaace. <3

The Mad Welshman likes walls, so he’s glad he’s been given so much leeway to grind against them in racing.

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Beacon (Early Access Review)

Source: Cashmoneys
Price: $19.99 (Approximately £15 , 657 copies remaining of first access at time of writing)
Where To Get It: Itch.IO
Version Reviewed: o.14A

It’s a decidedly eerie feeling, finding yourself. No, not in the sense of discovering your personality. I mean, discovering you, or, more accurately, an earlier clone of you that didn’t make it, for whatever reason. But that’s part of the “joy” of Beacon, a third-person twin-stick game where you are a clone. And not necessarily a faithful one, either.

Hrm, there’s something different about me… Oh, I redid my hair in the vat! Niiiice!

Okay, that bit takes some explaining. While Beacon is indeed another twin-stick, procedurally generated shooter with persistent elements, those elements are mainly (in the present build, at least), genetic. Abstracted genetics, harvested from things that maaaaaybe wouldn’t have genes (like the PRISM robots) , but genetics nonetheless… And these attempts at improvement through genetic tampering have a reason. The original Freja Akiyama (the protag) died on landing after crashing on this hostile and ever changing world. But that doesn’t mean her base personality wasn’t saved, and that she doesn’t want to get off the planet. So, she has a clone tank. Sometimes, it works as intended, taking genes from local wildlife (robotic or otherwise) , and sometimes… It makes drastic changes, both to her body, and to her perception of things.

It’s one hell of a clever conceit, and it’s backed up by a good, low-poly aesthetic, some good secrets (Of which I’ve discovered a few, and not quite got the hang of quite a few more), a variety of weapons, and a relatively limited enemy set that nonetheless gets tough, and scary, pretty early on. Good soundtrack, good idea, good aesthetic… So… What’s not so hot?

AHsodoffsodoffsodoff! (Dodge-rolling is the only way to get some range here)

Well, every gun has a minimum range, and there are a couple of enemies, specifically the Quick PRISM Robot subtype, that are annoying as hell at the present time. It’s not just that they’re faster than you. It’s not just that weapons have a minimum range. No, it’s that they can also shield themselves, and that, honestly, is a bit much. They are, unlike, for example, the flamethrower robots, not so much scary, or tense, as annoying to deal with. There’s also a lack of permanence, right now, in the things you’ve found, which is a bit of a shame, if understandable.

Still, this is already a promising start, with a lot to explore and deal with, a lot of weaponry of different types, and, once you get further in the game, you start to uncover an interesting mystery. I mean, robots and buildings do sort of imply previous habitation… Do they not?

Note for next clone: Chaingun slows you down. Also, construction failing, almost died due to plates falling. Be careful, sister!

The Mad Welshman #37 loves his spindly little robot legs. The Mad Welshman #36 says they don’t quite suit him though. Please help solve our “discussion” without chainguns getting involved.

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The Spatials: Galactology (Review)

Source: Review Copy
Price: £9.99
Where To Get It: Steam

The Spatials: Galactology is an ambitious game, in some aspects. Building and managing a station, exploring worlds, diplomacy, tourism… There’s a lot to the game. And so, it’s perhaps unfortunate that I’ve not been able to get very far with it because it doesn’t explain most of its own complexities, and some of them? Just plain don’t make sense.

The Hygienizer 3000. On a permanent Spin Cycle, it seems…

Case in point: The shower has interrupted the sleeping. It will always interrupt sleeping if it’s in the same room. Even if, as in the above shot, it is neither in use or supplied. Now, I can’t speak for all showers, but my own? Doesn’t do this. In fact, it’s utterly silent until turned on. I have yet to encounter a shower that does more than silently sit there until turned on. Admittedly, putting a shower in your bedroom is probably not a wise idea (It’s clearly not a futuristic sonic shower, it needs soap. Which I don’t have) , but that it’s the noise that’s the problem? Baffles and infuriates.

Okay, a load from the nearest quicksave fixed that. Showers set to be built elsewhere… With a whole bunch of balloons in the shower room because, inexplicably, they also make the place look bad. So decorations are mandatory if you want people to feel good. Noise mainly seems to impact sleep. And then something breaks down. I’m also running out of metal to build things with. Ohhh yeah, I can set my ships to pick up cargo from more than one place, why didn’t the game tell me this before? So, off I go, to a thankfully human planet with metal on it, and… My first combat encounter, hoo boy! Combat, diplomacy, exploration, it has it… NO, STOP BUILDING THAT STORAGE DEVICE, KEEP YOUR FRIEND HEALTHY, YOU – Oh, the only guy with a gun is dead.


Time to restart, I guess! Or… Not. The Spatials is, it’s true, an ambitious game, with a lot of elements. But I am, funnily enough, not one of those people who enjoys basic, important mechanics obfuscated from me, and it does this a whole lot. It has the dreaded Decoration Tax, a mechanic I’ve always despised, not least when it’s employed in the oddest of places. Yes, I can understand how a recycling machine may be noisy and clunky. I do not understand why a shower room won’t be enjoyable for its occupants unless it has a minimum of 2 balloons (1 to cancel the shower’s aesthetic penalty, 1 to improve the aesthetic to “slightly nice.”) Research, similarly, means the early game, normally a case of “Build things to make you self sufficient”, becomes “Research these eight things you need simply to get people to come to the planet and buy things before your money runs out.”

The Spatials: Galactology, will, I’m sure, be fine for people who actively enjoy the heavy amount of micromanagement and wikiplay needed to get off the ground here. I am not one of those folks, and the unfriendliness and lack of decent information is a major turn off. Its aesthetic is serviceable, but the bizarre internal logic… Not so much. Not so much by a long shot.

Every now and again, the VP will turn up and give you big demands for desperately needed money. It’s p. safe to say I did not, in fact, build 8 objects.

The Mad Welshman has already railed against the Cabinet Tax… But Balloon Tax? This is getting silly…

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Starship Corporation (Review)

Source: Cashmoneys
Price: £14.99
Where To Get It: Steam

Stop me if you’ve heard this one: A game that has a great idea, a good – Oh, you audibly heard the “But” from where you’re sitting? Yes, that’s the deal with Starship Corporation, a starship building and management game. But…

“No, you can’t shift a schematic that’s close enough to your spec that it only needs a reshuffle or parts added here, why would you want that?”

…It really, really isn’t friendly. It’s tried, and tried pretty hard, as, during the Early Access period, the game’s power, water, fuel, and air distribution was via laying pipes, whereas now, it’s done by floor and network. An auto-resolve system for the missions (The yardstick by which ships are judged) was introduced. The former genuinely helps. The latter feels more like avoiding the problem than fixing it.

Okay. Let’s back up a bit. Starship Corporation is a game about managing your own starship construction company. It’s a fixed universe, with some events, but progression is pretty fixed in both campaign and sandbox modes, with the main difference being that, in sandbox mode, you can change the amount of currency you own and your goal. The campaign goal? Get loaaadsamoneeey.

Of course, to get money, you have to spend money, and, at a first glance, without YouTube tutorials and the like to back you up? It’s daunting. Okay, I need to buy a sickbay. Oh, and connectors for fuel, water, air, and power between ship floors. And some shields. And a mining laser. Oh, and a better cooli- There’s a lot of options, and you can get rather a way into building a ship before realising “Oh wait, I don’t have enough space for that cargo I need” , or “Wait, crap, this really needs a better [insert] than I have now to save space.” Time to save design, hit up R&D, to spend some of your budget, and back in until finally… It’s testing time.

Expect to be spending a fair amount of time in the research screen, hunting for what you need.

At which point, many people will hit “Auto-Resolve” and shuffle things around if the score isn’t good enough, wondering their first time through, for a minute or so, where the heck the “Save and Finish the Blueprint Already” button is (It’s to the left of the auto-resolve, once you’ve resolved or played enough missions.) Which is a dual shame, because, again, this is an interesting idea, but the execution is painful enough that yes, auto-resolve really is the better option in many cases. The manual will tell you that it’s ctrl+number to assign people to a group, shift+number to actually control that group, and number is for switching between decks. This is about as useful as it gets, sadly, and there’s a lot that doesn’t get explained.

Unfortunately, with auto-resolve, the game is less interesting, being a somewhat clunky and chuggingly slow ship building and management game with some story elements, and without it, half the game is a hell of micro-management to make the other half less friendly.

It took me a vital few seconds to realise that there were several parts overdue for maintennance… On the SOP mission. ARGH.

So… Great idea. Great idea. The execution, on the other hand, means I can’t really recommend this beyond said idea.

The Mad Welshman is always sad when a good idea is buried under unfortunate design decisions. He knows the baby gets thrown out with the bathwater a lot in this industry.

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